Abstract
Literarily and artistically, Norma shows a 19th-century idealized female figure with strong artistic and dramatic appeal. This research examines feminist theories of power and sacrifice in Bellini's opera Norma, with reference to the character of Norma, a Druid priestess grappling with questions of authority, duty, love, and sacrifice. Feminist theory, narrative analysis, historical analysis, and feminist criticism are used by the study to analyze the opera, analyzing the character roles in a patriarchal society and mechanisms of gender oppression. The essay provides vital insights for actors studying the drama, enabling actors to grasp the psychological transformations of the character Norma. Ultimately, Norma's persona highlights the challenges women face in aligning themselves with societal expectations, motivating women today to continue striving for true equality and self-emancipation.
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