Abstract
Through the film carrier to enhance the essence of the dance “Emotion”, the beauty and value of poetry in the film version of the A Tapestry of A Legendary Land in the manifestation of the art form of the film on the dance aesthetic of the different presentations to enhance the audience's sensory experience at the same time, to stimulate the feelings of empathy to produce a unique flavor. If the dance drama A Tapestry of A Legendary Land “cross-border”, “break the circle” behind the review is the painting, dance and a high degree of mutual cultural identity, is the ultimate embodiment of the poetic genes of traditional Chinese culture written, and the movie version of the A Tapestry of A Legendary Land image carrier to enhance the dance poetic expression of the style, painting, dance poetic resonance inspired the poetic expression of the dance. At the same time, the poetic resonance of painting and dance inspires the potential of poetic expression in the movie, and realizes the pursuit of outstanding value of poetic movie. The homogeneity of dance poetic and movie “montage” means that the dance is presented on the screen in a movie way, realizing the creation of imagery and the ultimate expression of poetic genes, and reaching a romantic aesthetic space that transcends the boundaries of time and space. Fused with the art of cinema, A Tapestry of A Legendary Land uses the screen and camera as a carrier, pushing the dynamic expression of the dance body into the view of thousands of viewers, in pursuit of an aesthetic work that is a contemporary adaptation of tradition and art
References
Xiao, D. D. (2021). Narrative Writing Guided by Cinematic Thinking. Fudan University Press.
Fei, X. T. (2005). Fei Xiaotong on culture and cultural consciousness. Beijing: Qunyan Press.
Hobsbawm, E. J., & Ranger, T. (2004). The invention of tradition (G. Gu & G. Q. Pang, Trans.). Nanjing: Yilin Press.
Yu, P., & Huang, D. (2022). The "Beauty" Complex and the Choreography of Zhou Liya and Han Zhen's Dance Dramas: A Discussion Starting from the Dance Poetic Drama " The Journey of a Legendary Landscape Painting". Studies in National Art, 35(5), 112-120. https://doi:10.14003/j.cnki.mzysyj.2022.05.13.
Zhong, J. Y. (2024). Expressing Aspirations through Objects: An Analysis of Wang Jiping's Ink Wash Paintings. Art Observation, (6), 132-133.
Zhang, X. M. (2023). The Perspective of Montage: The Physical Image and Kinesthetic Narrative of Improvisational Dance. Movie Review, (13), 99-103. http://doi:10.16583/j.cnki.52-1014/j.2023.13.017.
Rao, R. (2022). The Interaction between Corporeality and Temporality: On the Significance of Dance in Film Art. Movie Review, (16), 99-104. http:// doi:10.16583/j.cnki.52-1014/j.2022.16.013.
Chen, Y. J. (2018). Viewing Dance Video Creation from Eisenstein's "Montage Thinking" Theory. Journal of Beijing Dance Academy, (4), 104-108.
Lü, Y. S. (2022). The Cultural Connotations of " The Journey of a Legendary Landscape Painting". Studies in Culture and Art, 15(2), 68-72, 114.
Kou, Z. (2022). The Artistic Charm of Conveying Meaning through Images: An Analysis of the Dance Program " The Journey of a Legendary Landscape Painting" on the 2022 Spring Festival Gala. China Radio & TV Academic Journal, (5), 108-110.
Zhang, X. L. (2022). " The Journey of a Legendary Landscape Painting": The Return and Regeneration of the Spirit of Classical Landscape Painting: Thoughts on Watching the Dance Poetic Drama "Only This Green". Art Criticism, (5), 55 - 64. http:/doi:10.16364/j.cnki.cn11-4907/j.2022.05.002.
Wang, Z. R., & Yang, X. D. (2019). Yanzhi and Yuanqing: The poetic structure of contemporary Chinese cinema. Cinema Art, (1), 88-93.
Gu, C. F. (2022). The formation of imagery in poetic cinema. Cinema Art, (2), 3-11.
Wang, Y. N. (2022). Using dance to depict paintings: The cross-media exploration from "A Thousand Li of Rivers and Mountains" to " The Journey of a Legendary Landscape Painting ". Beijing Dance Academy Journal, (5), 8-13.
Ye, Z. L. (2022). The contemporary significance of dance poetry drama The Journey of a Legendary Landscape Painting: Local themes, modern consciousness, and contemporary transformation. Studies in Culture & Art, 15(2), 73-77, 115.

This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2025 Yingying Ye (Author); Wei Zhang (Co-Authors)