Abstract
本·奥克瑞的布克奖获奖小说《饥饿的路》通过魔幻现实主义叙事，以约鲁巴文化中的阿比库鬼孩传说为基点，揭示了后殖民时期尼日利亚社会转型中非洲女性面临的交叉性压迫。研究聚焦小说中母亲与蔻朵大婶等女性形象，将非洲本土女性主义理论与生殖正义学说、马克思主义女性主义相融合，指出蔻朵大婶的经济突围与母亲的有限反抗构成了非洲女性主体性建构的辩证图景。通过约鲁巴学者奥耶武米的文化特殊性理论，论证当代未婚生育污名实为前殖民时期母系传统遭遇现代性侵蚀的症候，挑战西方女性主义理论的普适性预设。
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